tag:blogger.com,1999:blog-70823250346963011632012-02-16T14:13:12.437-08:00D.CLICDClic.posthttp://www.blogger.com/profile/12286498008322628894noreply@blogger.comBlogger21100tag:blogger.com,1999:blog-7082325034696301163.post-51216833501800463782007-11-08T10:06:00.000-08:002007-11-08T10:09:51.532-08:00<a href="http://www.getxophoto.com/pdf/prog_Conflictours.pdf"><span style="color: rgb(255, 0, 0);">Consulta a programação completa de ConflicTOURS !<br /></span></a><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7082325034696301163-5121683350180046378?l=dclicconflictours.blogspot.com' alt='' /></div>DClic.posthttp://www.blogger.com/profile/12286498008322628894noreply@blogger.com0tag:blogger.com,1999:blog-7082325034696301163.post-80862897324725933402007-11-01T19:11:00.001-07:002008-11-13T13:18:34.828-08:00<span style="font-size:100%;"><b><span style="font-family:Arial;"><span style="font-size:130%;"><br />6 / 11 - " Europa de Leste para principiantes "</span><br /></span></b></span><br /><p class="MsoNormal"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_Xrl5GebqrvI/RxXM8G88wqI/AAAAAAAAAG8/yfGWpi37M3E/s1600-h/Roomservice_pg.jpg"><img id="BLOGGER_PHOTO_ID_5122225484234277538" style="margin: 0pt 10px 10px 0pt; float: left; width: 141px; cursor: pointer; height: 135px;" alt="" src="http://4.bp.blogspot.com/_Xrl5GebqrvI/RxXM8G88wqI/AAAAAAAAAG8/yfGWpi37M3E/s200/Roomservice_pg.jpg" border="0" /></a><span style=";font-family:Arial;font-size:100%;" >A limpeza de edifícios bombardeados, a reciclagem de sacos de apoio humanitário e a fraude mediática de grande alcance podem ser actos subversivos. Neste caso, com escalas e investimentos distintos, todos exploram a possibilidade ética e poética na resolução da crise e dos conflitos na Europa de Leste.</span></p><p class="MsoNormal"><br /><br /></p><p class="MsoNormal" style="color: rgb(255, 255, 255);"><span style="font-size:100%;"><span lang="EN-GB" style="font-family:Arial;"><span style="font-weight: bold;"><span style="color: rgb(204, 204, 204);">> <span style="color: rgb(255, 255, 255);">Room service for bombardes buildings</span></span></span><span style="color: rgb(255, 255, 255);"><span style="color: rgb(255, 255, 255);">,</span> </span></span></span><span style="color: rgb(204, 204, 204);font-size:100%;" ><span lang="EN-GB" style="font-family:Arial;">de </span></span><span style="color: rgb(204, 204, 204);font-family:Arial;font-size:100%;" lang="EN-GB" >Dionís Escorsa, Belgrado, 2004, 16'.<br /></span><span style="font-weight: bold;font-size:100%;" lang="EN-GB" ><br /></span><span style="font-weight: bold;"><span style="font-family:Arial;">> <span style="color: rgb(255, 255, 255);">Self-aid</span></span></span><span style="color: rgb(204, 204, 204);font-size:100%;" ><i><span style="font-family:Arial;"><span style="font-weight: bold;">,</span> </span></i></span><span style="color: rgb(204, 204, 204);font-family:Arial;font-size:100%;" >de Vahida Ramujkic, Lipovica, 2002, 15'<br /></span><span style="font-weight: bold;font-size:100%;" ><br /></span><span style="font-weight: bold;"><span style="font-family:Arial;">><span style="color: rgb(255, 255, 255);">Cesky sen</span></span></span><span style="color: rgb(204, 204, 204);font-size:100%;" ><i><span style="font-family:Arial;">, O sonho Checo, de Vit Klusak y Filip Remunda</span></i></span><span style="color: rgb(204, 204, 204);font-family:Arial;font-size:100%;" >, República Checa, 2004, 87’</span></p><p class="MsoNormal"><br /></p><p class="MsoNormal"><span style="font-weight: bold;font-family:Arial;font-size:85%;" ><br /></span></p><span style="font-weight: bold;font-family:Arial;font-size:100%;" ><span style="font-size:130%;">13 / 11 - " Imigração: o cruzeiro ou o paraíso perdido"</span><br /><br /></span><p class="MsoNormal"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_Xrl5GebqrvI/RxXN6G88wrI/AAAAAAAAAHE/CLK_dWACR_c/s1600-h/EXOTICORE_pg.jpg"><img id="BLOGGER_PHOTO_ID_5122226549386166962" style="margin: 0pt 10px 10px 0pt; float: left; width: 151px; cursor: pointer; height: 142px;" alt="" src="http://4.bp.blogspot.com/_Xrl5GebqrvI/RxXN6G88wrI/AAAAAAAAAHE/CLK_dWACR_c/s200/EXOTICORE_pg.jpg" border="0" /></a><span style=";font-family:Arial;font-size:100%;" >As histórias de pesadelos que tiveram o seu início em sonhos. O encontro forçado com o estatuto de "exótico" : aquele que dedica a sua existência à procura do seu espaço num mundo que já decidiu, por ele, o seu lugar...no sistema legal, nas políticas de imigração, nas convenções sociais e na dos afectos.</span></p><br /><br /><p class="MsoNormal" style="color: rgb(204, 204, 204);font-family:arial;"><br /><span style="font-size:100%;"><o:p></o:p></span></p><p class="MsoNormal" style="color: rgb(204, 204, 204);font-family:arial;"><span style="font-size:100%;"><b><span lang="EN-GB"><o:p></o:p></span></b></span></p><p class="MsoNormal" style="font-weight: bold; color: rgb(204, 204, 204);"><span style=";font-family:arial;font-size:100%;" ><span lang="EN-GB">><span style="color: rgb(255, 255, 255);">Transit</span></span><span style="color: rgb(255, 102, 102);"><span style="color: rgb(255, 255, 255);">,</span> </span><span style="font-weight: normal;" lang="EN-GB">de Atelier Collectif, Bélgica, 2006, 24'<br /></span><br /><span style="font-size:0;">><span style="color: rgb(255, 255, 255);">Exoticore</span></span></span><span style=";font-family:arial;font-size:100%;" ><span style="font-weight: normal;"><span style="color: rgb(255, 102, 102);"><span style="color: rgb(255, 255, 255);">,</span> </span>de Nicolas Provost. Bélgica,2004, 28’<br /></span><br /><span style="font-size:0;">><span style="color: rgb(255, 255, 255);">Só ida</span></span></span><span style="font-weight: normal;font-family:Arial;font-size:100%;" ><span style="font-family:arial;"><span style="color: rgb(255, 255, 255);">,</span> de Manu Soubiès, Espanha</span><i style="font-family: arial;">, </i><span style="font-family:arial;">2005</span><i style="font-family: arial;">, </i>35’</span></p><br /><br /><p class="MsoNormal"></p><p class="MsoNormal"><span style="font-size:100%;"><b><span style="font-family:Arial;"><span style="font-size:130%;">20 / 11 : " De um colonialismo a outro "</span><br /><br /></span></b></span><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_Xrl5GebqrvI/RxXOtW88wsI/AAAAAAAAAHM/n-m09G7wACA/s1600-h/cannibaltours_pq.jpg"><img id="BLOGGER_PHOTO_ID_5122227429854462658" style="margin: 0pt 10px 10px 0pt; float: left; width: 145px; cursor: pointer; height: 141px;" alt="" src="http://1.bp.blogspot.com/_Xrl5GebqrvI/RxXOtW88wsI/AAAAAAAAAHM/n-m09G7wACA/s200/cannibaltours_pq.jpg" border="0" /></a><span style=";font-family:Arial;font-size:100%;" >Difícil tarefa aquela que pretende reivindicar a igualdade racial! O exemplo da História nunca foi suficiente, o testemunho da arte nunca foi realmente compreendido. Revelações versadas e comentários agudos sobre a cultura negra; um protesto apaixonado no caso de Chris Marker e terrivelmente mordaz no caso de Dennis O'Rourke.</span></p><p class="MsoNormal" style="color: rgb(204, 204, 204);"><br /><br /></p><p class="MsoNormal" style="color: rgb(204, 204, 204);"><span style="font-weight: bold; color: rgb(204, 204, 204);"><span style="color: rgb(204, 204, 204);font-family:arial;font-size:100%;" >><span style="color: rgb(255, 255, 255);">Les statues meurent aussi</span>,</span></span><span style="color: rgb(204, 204, 204);font-family:arial;font-size:100%;" ><span style="color: rgb(204, 204, 204);"> </span>As estátuas também morrem, de Alain Resnais e Chris Marker, França, 1953, 22'<br /></span><span style="color: rgb(204, 204, 204);font-family:arial;font-size:100%;" ><br /></span><span style="font-weight: bold;font-size:100%;" >><span style="color: rgb(255, 255, 255);">Cannibal Tours</span></span><span style="color: rgb(204, 204, 204);font-family:arial;font-size:100%;" >, de Dennis O'Rourke, australia, 1988, 70'</span></p><p class="MsoNormal" style="color: rgb(204, 204, 204);"><span style="color: rgb(204, 204, 204);font-family:arial;font-size:100%;" ><br /></span></p><span style="font-weight: bold;"><span style=";font-family:arial;font-size:100%;" ><br /></span><br /></span><span style="font-size:100%;"><b><span style="font-family:Arial;"><span style="font-size:130%;">27 / 11 - " </span><span style="font-size:100%;"><span style="font-size:130%;">Resistência/dissidência: discursos antagónicos "</span><br /></span></span></b></span><br /><p class="MsoNormal"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_Xrl5GebqrvI/RxXQV288wtI/AAAAAAAAAHU/oW81OvCGawo/s1600-h/20impossibles.jpg"><img id="BLOGGER_PHOTO_ID_5122229225150792402" style="margin: 0pt 10px 10px 0pt; float: left; width: 156px; cursor: pointer; height: 151px;" alt="" src="http://3.bp.blogspot.com/_Xrl5GebqrvI/RxXQV288wtI/AAAAAAAAAHU/oW81OvCGawo/s200/20impossibles.jpg" border="0" /></a><span style="font-size:100%;"><span style="font-family:Arial;"><span style="font-size:100%;">E</span></span></span><span style="font-size:100%;"><span style="font-family:Arial;"><span style="font-size:100%;">sta sessão foi inspirada pela ideia de "ocupação". Quer ela seja político-territorial ou político-social, trata-se sempre de um acto de cisão com algo pré-estabelecido. Em ambos os casos, é também o terreno ideal para o abuso: a violência, no caso da guerra armada e o discurso no </span></span></span><span style="font-size:100%;"><span style="font-family:Arial;"><span style="font-size:100%;">caso dos movimentos sociais urbanos...</span></span></span></p><br /><br /><br /><span style="font-weight: bold;font-size:100%;" >><span style="color: rgb(255, 255, 255);">Like twenty impossibles</span></span><span style="color: rgb(204, 204, 204);font-family:arial;font-size:100%;" >, de Annemarie Jacir, Palestina- Drama- 2003, 17'<br /><br /></span><span style=";font-family:Arial;font-size:100%;color:black;" ><span style="font-weight: bold; color: rgb(204, 204, 204);">><span style="color: rgb(255, 255, 255);">El taxista ful</span></span><span style="color: rgb(204, 204, 204);"><span style="color: rgb(255, 255, 255);">,</span> O ladrão de Taxis, de Jo Sol - Cor – ficção/documental - Espanha, 2006, 87’<br /><br /><br /><br /><a href="http://dclicconflictourss.blogspot.com/">Versión en español>>>>></a><br /><br /></span></span><div style="text-align: left;"><span style="color: rgb(204, 153, 51);font-size:130%;" ><a href="http://www.asdclic.blogspot.com/"><span style="font-weight: bold;font-family:Arial;" ><span style="color: rgb(204, 204, 204);"><span style="color: rgb(0, 0, 0);"><span style="color: rgb(255, 0, 0);"><<<<<< </span><span style="color: rgb(255, 255, 255);">DClic</span></span></span></span></a></span><br /></div><span style=";font-family:Arial;font-size:100%;color:black;" ><span style="color: rgb(204, 204, 204);"><span style="color: rgb(0, 0, 0);"><br /><br /></span></span></span><div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7082325034696301163-8086289732472593340?l=dclicconflictours.blogspot.com' alt='' /></div>DClic.posthttp://www.blogger.com/profile/12286498008322628894noreply@blogger.com0